{"id":2566,"date":"2023-10-17T15:16:48","date_gmt":"2023-10-17T13:16:48","guid":{"rendered":"https:\/\/bartbell.com\/?post_type=project&#038;p=2566"},"modified":"2026-03-13T23:59:13","modified_gmt":"2026-03-13T22:59:13","slug":"la-tour-vivante","status":"publish","type":"project","link":"https:\/\/bartbell.com\/?project=la-tour-vivante","title":{"rendered":"LA TOUR VIVANTE"},"content":{"rendered":"<p>[et_pb_section fb_built=\u00a0\u00bb1&Prime; fullwidth=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.22.1&Prime; background_color=\u00a0\u00bb#000000&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1&Prime; _builder_version=\u00a0\u00bb4.22.1&Prime; custom_margin=\u00a0\u00bb0px||||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.22.1&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime; _builder_version=\u00a0\u00bb4.22.1&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_code _builder_version=\u00a0\u00bb4.22.1&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1509197587&#038;color=%230b2755&#038;auto_play=false&#038;hide_related=true&#038;show_comments=false&#038;show_user=false&#038;show_reposts=false&#038;show_teaser=false\"><\/iframe><\/p>\n<div style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"><a href=\"https:\/\/soundcloud.com\/user-25768439\" title=\"Bart Bell\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener\">Bart Bell<\/a> \u00b7 <a href=\"https:\/\/soundcloud.com\/user-25768439\/la-tour-vivante\" title=\"La Tour Vivante\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener\">La Tour Vivante<\/a><\/div>\n<p>[\/et_pb_code][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_2,1_2&Prime; _builder_version=\u00a0\u00bb4.22.1&Prime; background_color=\u00a0\u00bb#000000&Prime; hover_enabled=\u00a0\u00bb0&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_margin=\u00a0\u00bb20px||20px||false|false\u00a0\u00bb sticky_enabled=\u00a0\u00bb0&Prime;][et_pb_column type=\u00a0\u00bb1_2&Prime; _builder_version=\u00a0\u00bb4.16&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.16&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<div class=\"filmUnit__head-text\" style=\"text-align: left;\">\n<h2 data-section-id=\"523eir\" data-start=\"231\" data-end=\"249\">LA TOUR VIVANTE<\/h2>\n<p data-start=\"251\" data-end=\"300\"><strong data-start=\"251\" data-end=\"285\">Sound piece &amp; live performance<\/strong><br data-start=\"285\" data-end=\"288\" \/>2023 &#8211; 20\u2032<\/p>\n<p data-start=\"302\" data-end=\"344\">Directed by <strong data-start=\"314\" data-end=\"344\">Bart Bell &amp; Fanny Rahmouni<\/strong><\/p>\n<p data-start=\"346\" data-end=\"599\"><em data-start=\"346\" data-end=\"363\">La Tour Vivante<\/em> is a sonic exploration of the <strong data-start=\"394\" data-end=\"416\">Mercuriales towers<\/strong>, two monumental skyscrapers rising on the eastern edge of Paris. Often perceived as silent relics of a modernist future, the towers reveal another presence when one begins to listen.<\/p>\n<p data-start=\"601\" data-end=\"927\">The piece reconstructs the experience of a <strong data-start=\"644\" data-end=\"680\">night patrol inside the building<\/strong>, using field recordings, voices of security guards and architectural ambiences collected within the towers. Between documentary and fiction, these fragments gradually reveal the hidden life of the structure and the subtle rhythms that inhabit it.<\/p>\n<p data-start=\"929\" data-end=\"1239\">During the performance, voices, atmospheres and sounds are <strong data-start=\"988\" data-end=\"1006\">assembled live<\/strong>, following a loose score structured around the different stages of the patrol, from the basement to the rooftop terraces. Each performance becomes a new traversal of the building, where the narrative unfolds primarily through sound.<\/p>\n<p data-start=\"1241\" data-end=\"1449\">In this exploration, architecture becomes a <strong data-start=\"1285\" data-end=\"1309\">living acoustic body<\/strong>. Walls resonate, ventilation murmurs, distant machinery vibrates. The towers begin to whisper their own stories to those willing to listen.<\/p>\n<p data-start=\"1451\" data-end=\"1676\"><em data-start=\"1451\" data-end=\"1468\">La Tour Vivante<\/em> operates as a form of <strong data-start=\"1491\" data-end=\"1509\">reverse cinema<\/strong>, where sound leads the imagination and images emerge through listening. The building itself becomes the instrument, a surface for memory, resonance and sonic fiction.<\/p>\n<\/div>\n<p><span style=\"font-size: small;\"><em><strong><span style=\"color: #000000;\"><\/span><\/strong><\/em><\/span><\/p>\n<p><span style=\"font-size: small;\"><\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2&Prime; _builder_version=\u00a0\u00bb4.16&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/bartbell.com\/wp-content\/uploads\/2023\/10\/TOUR-VIVANTE-AFFICHE-SAMPLE-scaled.jpg\u00a0\u00bb title_text=\u00a0\u00bbTOUR VIVANTE AFFICHE SAMPLE\u00a0\u00bb _builder_version=\u00a0\u00bb4.22.1&Prime; custom_margin=\u00a0\u00bb|20px||20px|false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.22.1&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime; _builder_version=\u00a0\u00bb4.22.1&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.22.1&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<h3 data-section-id=\"1vcck2g\" data-start=\"1683\" data-end=\"1694\"><strong>Credits<\/strong><\/h3>\n<p data-start=\"1696\" data-end=\"1736\">Direction<br data-start=\"1705\" data-end=\"1708\" \/>Bart Bell &amp; Fanny Rahmouni<\/p>\n<p data-start=\"1738\" data-end=\"1774\">Visual performance<br data-start=\"1756\" data-end=\"1759\" \/>Yonas Le Bris<\/p>\n<p data-start=\"1776\" data-end=\"1799\">Video<br data-start=\"1781\" data-end=\"1784\" \/>Quentin Elles<\/p>\n<p data-start=\"1801\" data-end=\"1847\">Live video<br data-start=\"1811\" data-end=\"1814\" \/>Marco Juan Lavandier \u2014 ZEROZORO<\/p>\n<p data-start=\"1849\" data-end=\"1923\">Special thanks<br data-start=\"1863\" data-end=\"1866\" \/>Zohir, Ramdane, Florian<br data-start=\"1889\" data-end=\"1892\" \/>Le Sample<br data-start=\"1901\" data-end=\"1904\" \/>Baptiste Belleudy<\/p>\n<p data-start=\"1849\" data-end=\"1923\">\n<h3 data-section-id=\"1a4x3gt\" data-start=\"1930\" data-end=\"1946\"><strong>Performances<\/strong><\/h3>\n<p data-start=\"1948\" data-end=\"2014\">Paris \u2014 21 April 2023<br data-start=\"1969\" data-end=\"1972\" \/>Le Sample (Bagnolet) \u2014 22 September 2023<\/p>\n<h3 data-section-id=\"78f2l3\" data-start=\"2021\" data-end=\"2030\"><strong>Radio<\/strong><\/h3>\n<p data-start=\"2032\" data-end=\"2120\">Interview featured on <strong data-start=\"2054\" data-end=\"2077\">\u201cR\u00e9cr\u00e9ation Sonore\u201d<\/strong><br data-start=\"2077\" data-end=\"2080\" \/>hosted by Claire Laxtague \u2014 Radio Campus<\/p>\n<p data-start=\"2137\" data-end=\"2368\">\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.22.1&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bb#000000&Prime; custom_margin=\u00a0\u00bb20px||||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4&Prime; _builder_version=\u00a0\u00bb4.22.1&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_gallery gallery_ids=\u00a0\u00bb2579,2588,2590,2592,2581,2583,2591,2587,2582,2585,2586,2580,2584&Prime; show_title_and_caption=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb4.22.1&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_gallery][et_pb_text _builder_version=\u00a0\u00bb4.22.1&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin=\u00a0\u00bb10px||10px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<div class=\"page\" title=\"Page 2\"><\/div>\n<div class=\"page\" title=\"Page 2\"><\/div>\n<div class=\"page\" title=\"Page 2\"><\/div>\n<div class=\"page\" title=\"Page 2\"><\/div>\n<div class=\"page\" title=\"Page 2\"><\/div>\n<div class=\"page\" title=\"Page 2\"><\/div>\n<div class=\"page\" title=\"Page 2\"><\/div>\n<div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<h3 data-section-id=\"ceij5v\" data-start=\"103\" data-end=\"129\"><\/h3>\n<h3 data-section-id=\"ceij5v\" data-start=\"103\" data-end=\"129\">Genesis<\/h3>\n<p data-start=\"131\" data-end=\"326\"><strong data-start=\"131\" data-end=\"144\">Bart Bell<\/strong> and <strong data-start=\"183\" data-end=\"201\">Fanny Rahmouni<\/strong>\u00a0share a common interest in sound creation. They met at the <strong data-start=\"289\" data-end=\"311\">Mercuriales towers<\/strong> in early 2021.<\/p>\n<p data-start=\"328\" data-end=\"648\">At that time, the towers were temporarily opened to artists, collectives and associations, who were invited to install their offices there while awaiting a renovation project. They began recording the space, collecting voices, ambiences and architectural sounds until <strong data-start=\"596\" data-end=\"611\">spring 2022<\/strong>, when the towers closed permanently.<\/p>\n<p data-start=\"650\" data-end=\"747\">In <strong data-start=\"653\" data-end=\"667\">April 2023<\/strong>, the performance <strong data-start=\"685\" data-end=\"704\">La Tour Vivante<\/strong> was presented for the first time in Paris.<\/p>\n<p data-start=\"650\" data-end=\"747\">\n<\/div>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][et_pb_gallery gallery_ids=\u00a0\u00bb2599,2597,2598,2601&Prime; show_title_and_caption=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb4.22.1&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_gallery][et_pb_text _builder_version=\u00a0\u00bb4.22.1&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin=\u00a0\u00bb10px||10px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<div class=\"page\" title=\"Page 2\"><\/div>\n<div class=\"page\" title=\"Page 2\"><\/div>\n<div class=\"page\" title=\"Page 2\"><\/div>\n<div class=\"page\" title=\"Page 2\"><\/div>\n<div class=\"page\" title=\"Page 2\"><\/div>\n<div class=\"page\" title=\"Page 2\"><\/div>\n<div class=\"page\" title=\"Page 2\"><\/div>\n<div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<h3 data-section-id=\"11xy98b\" data-start=\"106\" data-end=\"132\">A future from the past<\/h3>\n<p data-start=\"134\" data-end=\"309\">Built in the <strong data-start=\"147\" data-end=\"156\">1970s<\/strong> as part of an ambitious plan to create a new business district in eastern Paris, the <strong data-start=\"242\" data-end=\"264\">Mercuriales towers<\/strong> rise 122 metres above the Porte de Bagnolet.<\/p>\n<p data-start=\"311\" data-end=\"567\">Today they stand as monuments to a <strong data-start=\"346\" data-end=\"377\">future imagined decades ago<\/strong>, a vision of modernity that has slowly become obsolete. Largely empty for nearly ten years, the towers remain suspended between past and future, waiting for an uncertain renovation project.<\/p>\n<p data-start=\"569\" data-end=\"704\" data-is-last-node=\"\" data-is-only-node=\"\">It is within this fragile moment, when these seemingly immovable structures appear to waver, that the project finds its starting point.<span style=\"font-size: small;\"><\/span><\/p>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"layoutArea\">\n<div class=\"column\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][et_pb_gallery gallery_ids=\u00a0\u00bb2581,2580,2591,2587,2582,2585,2586,2584&Prime; show_title_and_caption=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb4.22.1&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_gallery][et_pb_text _builder_version=\u00a0\u00bb4.22.1&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin=\u00a0\u00bb10px||10px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n<div class=\"page\" title=\"Page 2\"><\/div>\n<div class=\"page\" title=\"Page 2\"><\/div>\n<div class=\"page\" title=\"Page 2\"><\/div>\n<div class=\"page\" title=\"Page 2\"><\/div>\n<div class=\"page\" title=\"Page 2\"><\/div>\n<div class=\"page\" title=\"Page 2\"><\/div>\n<div class=\"page\" title=\"Page 2\"><\/div>\n<div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<h3 data-section-id=\"s3o9np\" data-start=\"128\" data-end=\"160\">The poetry of a living space<\/h3>\n<p data-start=\"162\" data-end=\"439\">The <strong data-start=\"166\" data-end=\"198\">Mercuriales towers are alive<\/strong>. Like a living organism, they are traversed by countless movements: those of the people who work inside them, but also those of matter itself &#8211; concrete, glass and steel &#8211; animated by hundreds of metres of pipes, shafts and infrastructures.<\/p>\n<p data-start=\"441\" data-end=\"566\">Invisible waves and subtle vibrations run through the building at every moment. It is these movements that we seek to reveal.<\/p>\n<p data-start=\"568\" data-end=\"805\" data-is-last-node=\"\" data-is-only-node=\"\">Rather than showing the towers or the view from them, the project invites the audience to enter their interior, their hidden depths, and to immerse themselves in the life that pulses beneath the reflective glass surfaces of the fa\u00e7ade.<\/p>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"layoutArea\">\n<div class=\"column\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][et_pb_gallery gallery_ids=\u00a0\u00bb2584,2582,2585,2586&Prime; show_title_and_caption=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb4.22.1&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_gallery][et_pb_text _builder_version=\u00a0\u00bb4.22.1&Prime; _module_preset=\u00a0\u00bbdefault\u00a0\u00bb hover_enabled=\u00a0\u00bb0&Prime; global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_margin=\u00a0\u00bb10px||10px||false|false\u00a0\u00bb sticky_enabled=\u00a0\u00bb0&Prime;]<\/p>\n<div class=\"page\" title=\"Page 2\"><\/div>\n<div class=\"page\" title=\"Page 2\"><\/div>\n<div class=\"page\" title=\"Page 2\"><\/div>\n<div class=\"page\" title=\"Page 2\"><\/div>\n<div class=\"page\" title=\"Page 2\"><\/div>\n<div class=\"page\" title=\"Page 2\"><\/div>\n<div class=\"page\" title=\"Page 2\"><\/div>\n<div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"flex flex-col text-sm pb-25\">\n<article class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:d2ab6be7-c752-4d6a-9c06-81985e61db48-28\" data-testid=\"conversation-turn-58\" data-scroll-anchor=\"true\" data-turn=\"assistant\" tabindex=\"-1\">\n<div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\">\n<div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\">\n<div class=\"flex max-w-full flex-col gap-4 grow\">\n<div data-message-author-role=\"assistant\" data-message-id=\"af6b9043-3b62-4312-92c8-764477ff985e\" dir=\"auto\" data-message-model-slug=\"gpt-5-3\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+&amp;]:mt-1\">\n<div class=\"flex w-full flex-col gap-1 empty:hidden\">\n<div class=\"markdown prose dark:prose-invert w-full wrap-break-word dark markdown-new-styling\">\n<h3 data-section-id=\"2bl8ks\" data-start=\"123\" data-end=\"149\">The unseen professions<\/h3>\n<p data-start=\"151\" data-end=\"329\">This exploration is guided by the team, the <strong data-start=\"196\" data-end=\"204\">crew,<\/strong>\u00a0of the security control room, responsible for ensuring the continuous functioning of these sleeping giants, day and night.<\/p>\n<p data-start=\"331\" data-end=\"667\"><em data-start=\"331\" data-end=\"348\">La Tour Vivante<\/em> gives voice to these guards, shedding light on these often invisible professions and the demanding conditions of their work. Beyond the uniform, the project also seeks to reveal their personal perceptions, their reflections, dreams and moments of contemplation during the long solitary nights spent inside the towers.<\/p>\n<p data-start=\"669\" data-end=\"836\" data-is-last-node=\"\" data-is-only-node=\"\">In this quiet vigilance, the experience of the night patrol sometimes takes on an almost <strong data-start=\"758\" data-end=\"784\">metaphysical dimension<\/strong>, at the heart of these immense sleeping structures.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"z-0 flex min-h-[46px] justify-start\"><\/div>\n<div class=\"mt-3 w-full empty:hidden\">\n<div class=\"text-center\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<div aria-hidden=\"true\" data-edge=\"true\" class=\"pointer-events-none h-px w-px absolute bottom-0\"><\/div>\n<p><span style=\"font-size: small;\"><\/span><\/p>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"layoutArea\">\n<div class=\"column\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>LA TOUR VIVANTE Sound piece &amp; live performance2023 &#8211; 20\u2032 Directed by Bart Bell &amp; Fanny Rahmouni La Tour Vivante is a sonic exploration of the Mercuriales towers, two monumental skyscrapers rising on the eastern edge of Paris. Often perceived as silent relics of a modernist future, the towers reveal another presence when one begins [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2604,"comment_status":"open","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[43,45],"project_tag":[],"class_list":["post-2566","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-selection","project_category-works"],"_links":{"self":[{"href":"https:\/\/bartbell.com\/index.php?rest_route=\/wp\/v2\/project\/2566","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bartbell.com\/index.php?rest_route=\/wp\/v2\/project"}],"about":[{"href":"https:\/\/bartbell.com\/index.php?rest_route=\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/bartbell.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bartbell.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2566"}],"version-history":[{"count":23,"href":"https:\/\/bartbell.com\/index.php?rest_route=\/wp\/v2\/project\/2566\/revisions"}],"predecessor-version":[{"id":3388,"href":"https:\/\/bartbell.com\/index.php?rest_route=\/wp\/v2\/project\/2566\/revisions\/3388"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bartbell.com\/index.php?rest_route=\/wp\/v2\/media\/2604"}],"wp:attachment":[{"href":"https:\/\/bartbell.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2566"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/bartbell.com\/index.php?rest_route=%2Fwp%2Fv2%2Fproject_category&post=2566"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/bartbell.com\/index.php?rest_route=%2Fwp%2Fv2%2Fproject_tag&post=2566"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}